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Explorations
1) I chose this quote because I am
interested exploring how the characters in this book interact with technology;
Mildred especially has an interesting relationship with all her devices, and I
want to further understand that.
Montag has just woken up after a restless
night of pondering over Clarisse. He enters the kitchen in the morning, sees
Mildred at the dining table, observes, and then confronts her. (Page 18)
Toast popped out of the silver toaster,
was seized by a spidery metal hand1 that drenched it with melted
butter.
Mildred watched2 the toast
delivered to her plate. She had both ears plugged with electronic bees that
were humming3 the hour away. She looked up, suddenly, saw him, and
nodded.
“You all right?” he asked.
She was an expert at lip reading4
from ten years of apprenticeship at Seashell ear thimbles. She nodded again.
She set the toaster clicking away at another piece of bread.
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Montag and Mildred proceed to make some more
small talk, and then the scene ends abruptly.
1. Figurative Language: Spidery/hand and metal are such opposite words that it seems odd they would be used
to describe the same thing. Spidery
and hand suggest some sort of
connection or resemblance to a living, moving creature, while metal often correlates with technology
and machinery. This use of contradictory ideas in the same phrase is something
Bradbury does a lot in his descriptions; it’s as if to suggest something about
the society itself, that while it remains to have human, living components, automation
is a large part as well and is in fact slowly taking over human roles.
2. Word
Definition / Wording & Connection / Trouble: According to the OED, to watch not only means “the action of
watching or observing,” but as “the duty, post or office of watchmen or
sentinel.” When we think of cooking, in this case making toast, our instinct is
to think of a more active state than that of an observant one–when we cook, we
are the ones making and serving the food. When Mildred watches as the toast is “delivered to her plate,” it seems to indicate
not only her helplessness, but her reliance on technology to do such seemingly
simple tasks. When we begin to think of many of the other characters in the
novel, such as Mildred’s friends, we notice that most of them are foolishly
dependent on technology just as she is.
3. Figurative Language / Trouble / Connection:
This description of the Seashells in Mildred’s ears that are “humming the hour
away” infer some sort of casualness with this activity. Bradbury purposefully
dismisses as something nonchalant to show the normality of constantly listening
these “electronic bees.” However, this becomes troubling when they’re enough to
overpower human interaction: when Mildred solely nods to her husband instead of
really greeting him, she’s unconsciously choosing her device over her family
member. This makes me uneasy, as it seems sad that a generic piece of machinery
could in any way be more important than a human being. It makes me question the human
interaction within the society, and maybe how the lack of it affects their character. However, when I really start to
think about it, it’s not so different from choosing to keep your headphones in
and listen to music rather than talking to someone, something that happens
often in today’s world. It’s interesting how I can find this so disturbing as I
read it from a confident view of it being science fiction, but then realizing
that it’s truly not so different than what I do in my everyday life.
4. Interpretation: The fact the Mildred is
able to “lip read” what Montag, her husband,
says to her shows how she’s so adapted to her lifestyle that she’s learned ways
to make it workable. Obviously, we need our ears to hear, and although Mildred
could easy take out her Seashells to listen to Montag, she’s made the extra
effort to learn a new way to listen to him; thus showing the great value of the
Seashells.
2)
I chose this excerpt mostly because it’s just fascinating to me. I read this
book in 6th grade and when we were reading it a few weeks ago, I
came across this part and it resonated with me. There’s also this idea of
censorship in the story that I wanted to further explore, and this quote, even
though it’s from Beatty’s point of view, says a lot about the supposed
reasoning behind the ways of their society.
Beatty visits Montag at his home and gets
into a long lecture about the need for burning books. (Page 59)
“Colored people1 don’t like Little Black Sambo. Burn2
it. White people1 don’t feel good about Uncle Tom’s Cabin. Burn it. Someone’s written a book on tobacco
and cancer of the lungs? The cigarette people are weeping? Burn the book.
Serenity3, Montag. Peace, Montag.
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Beatty continues to lecture Montag in his
persuasive, dominating way, until he’s left Montag baffled and pensive.
1. Wording, Style, Syntax: It’s
interesting how Beatty feels the need to extend his argument and label certain
groups of people as evidence. It’s interesting to note that this is the only
spot in the entire book where there is a mention of race. Maybe it hasn’t been
mentioned in any other description of the society because Bradbury is trying to
argue that in this utopia, the problem of race is nonexistent. We could than
assume that the people of this society instinctively equate race with
controversy, and therefore the issue is only brought up when discussing how
their current society solves all the problems of any other way of life–race
being one of “all the problems.”
2. Word Definition / Wording / Interpretation:
This idea of burning is used everywhere in the book–after all, the novel is
called “Fahrenheit 451,” the temperature at which paper burns. In addition to
the common definition of burning, which is “to be in the process of consumption
by fire” according to the OED, the idea of fire can also represent “the
passions, as love, wrath.” Although love and wrath–admiration and anger–are
very different feelings, they both encompass the same magnitude, the same passion. Instead of simply destroying books, Bradbury creates this
world in which they burn books. I’m
wondering if this burning–which is essentially destroying–stems from some sort of passion, both through love and wrath. Beatty may very well be an
example of this–he’s a character that once loved books, but now demolishes
them. It would be interesting to look deeper into Beatty’s character and find
evidence that encompasses this idea of burning, something that requires passion.
3. Word Definition: The OED defines
serenity as “tranquility, clear and calm:” tranquility is defined as “freedom
from disturbance or agitation.” This lifestyle without books, as Beatty is
describing, proves to have serenity overall. Asides from Montag and Faber and
the other few who question, most people in this world are “free from disturbance or agitation.” This is troubling,
though, as I wouldn’t assume such oblivion from such technologically advanced
people. Actually, as I reread that last sentence, I ask myself why I instantly
assume that advanced technology equals intelligent people. Maybe Fahrenheit 451
was written to show us that this status quo belief isn’t reality, and that although
it may be tranquil, it is very limited, as the few like Montag and Faber show
us.
3)
I’m interested in the human interaction that occurs in this book. It’s very
minimal and shallow, and this scene is one of the few exceptions where it’s
not, so I wanted to take a closer look at it.
Montag is walking home from the
fire-station when he notices a girl (whom we later find out is Clarrise). (Page
6)
The girl stopped and looked as if she
might pull back in surprise, but instead stood regarding Montag with eyes so
dark and shining and alive that he felt he had something quite wonderful.
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Montag proceeds to approach Clarrise and
that begins their conversation.
1. Overall Reaction / General Ideas: After
reading the entire book and then coming back to this particular passage, it
becomes clear that this first interaction that occurs between Clarrise and
Montag–and all of their interactions,
for that matter– is quite rare. So rarely do we see such humanity in any characters, such feelings that are so closely
connected to the human soul. This is hard to phrase, but it seems as if
Clarrise is used as a foiling device to compare her with the average person in
this society and bring out their differences. Clarrise has such real, alive
feelings that are so drastically different from the robotic, mechanical
feelings of everybody else. And maybe the beauty and compassion of Clarrise is
slightly exaggerated so the reader becomes more attached to her more so than
any of the other characters (besides Montag, who himself goes through a huge
transformation of personality); a way to show how technology can be
destructive, quite obviously.
4)
I chose this passage because I think noticing the actions of Mrs. Phelps might
lead me to some new ideas about how she and others deal with new ideas and
realizations.
Montag has just finished reading the poem
“Dover Beach,” which Mildred randomly chose because she thought it would show
how pointless books are, but it seems to do just the opposite.
Mrs. Phelps was crying.
The others in the middle of the desert1
watched her crying grow very loud as her face squeezed itself out of shape2.
They sat, not touching her, bewildered with her display. She sobbed
uncontrollably. Montag himself was stunned and shaken.
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Mildred and Mrs. Bowles get angry at Montag
for reading the poem and blame him for Mrs. Phelps’ tears.
1. Wording / Syntax: This metaphor of the
desert is fascinating. When we think of a desert, abandoned, vast, dry, lonely
come to mind. This idea of them metaphorically traveling to a desert–to an
abandoned, vast, lonely place–might represent how all of the characters feel
inside. It’s like they’ve reached this far-away place and it feels empty and
big and unapproachable because they’ve never tried to approach it before. What
I mean by it is just the idea of
literature. They’ve entered this uncharted territory of writing and poems and
words and it’s all new to them. But they wanted
to enter it, because although Mildred asked Montag to read to cover up for the
fact that he showed his books to her friends, there’s a clear desire for
exploration. And then after they visit this desert, and Mrs. Phelps was crying,
they instantly equate crying with negativity and blame Montag for letting them
into this “desert” in the first place. It’s as if they are afraid to approach
the truth.
2. Wording / Syntax: “as her face squeezed
itself out of shape;” this is a drastic way to describe the change Mrs. Phelps
is going through. However, we only get two of the three stages of this
transformation: “shape” is the initial _____, which then moves to “squeezed”
which signifies a change, but then we as readers don’t get the final stage.
This is absence result of Mrs. Phelps’ fear to accept, to “mold” into her new idea
and realizations. However, if people were more willing to understand and except
these new ideas, they would realize that their peers were going through the
same process, and there would be more of a community that accepted these ideas.
There’s a lack of communication, of human interaction that has depth, and that is what is preventing this third
stage from forming. I think technology is a possible cause of this lack of
communication.
Other Ideas: I asked myself this question- if the
principles of this society seem to make sense in theory, than why is it so
deficient in reality? Nearly all of
the characters we see in this book have some sort of doubt of their societal
status-quo. Mrs. Phelps is a perfect example of this, and this is seen
immediately when she speaks about her husband, because although she insists
everything’s going to be fine, it is clear she’s doubtful inside. But why is it
that nothing has changed in this world? If they’re all feeling the same thing,
than why do they have to wait for some sort of approval–in the form of another
source that agrees with them–to express their feelings? Just like how Mrs.
Phelps doesn’t admit to her feelings until she hears this poem; how Montag
doesn’t allow himself to fully question the idea of burning books, even though
he’s clearly felt it before, as we know because he’d stolen books before, until
he meets Clarrise. Both of these characters are examples of how most people in
this world have to wait for their ideas to somehow be justified until they feel
comfortable being open! Maybe this is a reflection on all people, though, not
just in the book.
extra
“ It was pretty silly, quoting poetry
around free and easy like that. It was the act of a silly damn snob. Give a
man a few lines of verse and he thinks he’s the Lord of all Creation. You
think you can walk on water with your books. Well, the world can get by just
fine without them. Look where they got you, in slime up to your lip.”
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